Hollywood has always been known for its glitz, glamour, and larger-than-life movies. However, in recent years, there has been a shift towards more socially conscious and politically correct content. While this may seem like a positive change, it has also led to the creation of what many are calling “woketard movies”. These are films that are so focused on pushing a certain agenda that they forget to entertain the audience. The latest example of this is the highly anticipated movie, The Bride.
The Bride, directed by S.J. Clarkson, was supposed to be a feminist take on the classic horror film, Bride of Frankenstein. However, instead of being a thought-provoking and empowering film, it turned out to be a complete disaster. The movie has been universally panned by critics and audiences alike, with many calling it a “feminist nightmare”. The Bride has not only failed to make an impact at the box office, but it is also on track to lose a whopping $90 million.
This begs the question, when will Hollywood get the message that even woketards won’t pay to see woketard movies like The Bride? The answer is simple – they already have.
The Bride is not the first movie to suffer from the woketard curse. In fact, it is just the latest in a long line of films that have failed to connect with audiences due to their heavy-handed social and political messaging. Movies like Ghostbusters (2016), Charlie’s Angels (2019), and Terminator: Dark Fate (2019) all suffered the same fate. These movies were marketed as feminist reboots, but instead of empowering women, they ended up alienating audiences with their preachy and forced agendas.
It’s not just the audience that is tired of these woketard movies, but also the actors and filmmakers themselves. In an interview with The Hollywood Reporter, actress Kristen Stewart, who starred in Charlie’s Angels, admitted that the movie’s failure was a “bummer” and that she was “disappointed” with the response. Director Tim Miller also expressed his disappointment with Terminator: Dark Fate’s box office performance, saying that the movie’s feminist message may have turned off some fans.
The failure of these movies should serve as a wake-up call for Hollywood. It’s time for them to realize that audiences don’t want to be preached to, they want to be entertained. People go to the movies to escape reality, not to be reminded of it. When a movie is more concerned with pushing a certain agenda than telling a good story, it is bound to fail.
But it’s not just about the box office numbers, it’s also about the impact these movies have on society. The constant bombardment of woketard movies is not only exhausting but also damaging. It creates a divide among audiences and perpetuates the idea that only one perspective is valid. This is not the kind of message that Hollywood should be sending out.
It’s time for Hollywood to go back to its roots and focus on making good movies. Movies that entertain, inspire, and bring people together. Movies like Wonder Woman (2017), Black Panther (2018), and Crazy Rich Asians (2018) have proven that diversity and representation can be done right without sacrificing the quality of the film. These movies were not marketed as “feminist” or “woke”, but they still managed to make a significant impact and resonate with audiences.
In conclusion, the failure of The Bride is a clear indication that audiences are tired of woketard movies. It’s time for Hollywood to listen to the message and start making movies that people actually want to see. Movies that are inclusive, but not at the cost of entertainment. It’s time for Hollywood to get back to what it does best – telling great stories.
