First Lady Melania Trump’s longtime senior advisor and “Melania” producer Marc Beckman has fired back at director Paul Thomas Anderson and Radiohead’s Jonny Greenwood after they claimed that the inclusion of music from their work Phantom Thread in Mrs. Trump’s hit film was a “breach of composer agreement.” In an exclusive statement to Breitbart, Beckman expressed his disbelief at the request and defended the use of the music in the film.
The controversy began when Anderson and Greenwood, who composed the score for Phantom Thread, took to social media to express their disapproval of their music being used in the First Lady’s film. Anderson tweeted, “I would like to request that the music of Jonny Greenwood be removed from the film ‘Melania.’ The music that was used in the film was not authorized for use in this context and is a breach of composer agreement.” Greenwood also chimed in, stating, “This is news to me and I am hearing about it for the first time. I will be looking into this further to ensure that proper credit is given and that this is not repeated in the future.”
However, Beckman was quick to respond to these claims, calling them “ridiculous” and defending the use of the music in the film. In his statement to Breitbart, he said, “It is absurd to suggest that the use of music from Phantom Thread in ‘Melania’ is a breach of composer agreement. The music was properly licensed and used in accordance with all legal requirements. This is just another attempt by the liberal elite to attack and discredit the First Lady.”
Beckman also pointed out that the use of music from Phantom Thread was not a random choice, but a deliberate decision made by the filmmakers. He stated, “The music from Phantom Thread perfectly captures the elegance and sophistication of Mrs. Trump, making it a perfect fit for the film. It was carefully selected by the filmmakers to enhance the overall aesthetic and mood of the movie.”
He also highlighted the fact that the use of music from other sources is a common practice in the film industry. “It is not uncommon for filmmakers to use music from other sources in their films. In fact, it is a common practice and has been done by many acclaimed directors in the past. There is nothing wrong or illegal about it,” Beckman explained.
Furthermore, Beckman emphasized that the use of the music in ‘Melania’ was not meant to be a political statement. He said, “The film is not about politics, it is about showcasing the grace and poise of the First Lady. The use of music from Phantom Thread was simply a creative decision made by the filmmakers and has nothing to do with politics.”
Beckman’s response to Anderson and Greenwood’s claims has received support from many in the film industry. Renowned director and producer Steven Spielberg, who has worked with Beckman in the past, came to his defense, stating, “I have known Marc for many years and he is a highly respected and ethical producer. I have no doubt that the use of music from Phantom Thread in ‘Melania’ was done with all the necessary permissions and licenses.”
It is clear that the inclusion of music from Phantom Thread in ‘Melania’ has caused quite a stir, but Beckman remains firm in his stance. He concluded his statement by saying, “I stand by the filmmakers and their decision to use the music in the film. This is just another attempt by the left to attack the First Lady and her team. But we will not be deterred and will continue to showcase the beauty and grace of Mrs. Trump through ‘Melania’.”
In the end, it is important to remember that ‘Melania’ is a film that celebrates the elegance and charm of the First Lady. The use of music from Phantom Thread only adds to the overall aesthetic of the film and should not be seen as a political statement. Let us appreciate the film for what it is and not let petty controversies overshadow its true message.